Melissa Weber was born in North Haven,CT but started her serious ballet training when she moved to Boca Raton, Fl. Melissa received the majority of her early dance training with Boca Ballet Theatre under the tutelage of Jane Tyree and Dan Guin and at Alexander W. Dreyfoos School of the Arts under the guidance of Jeff Satinoff. Melissa’s first professional experiences were with Louisville Ballet in Don Quixote and in Christopher Fleming’s Nutcracker in Lakeland,Fl while still in high school. After graduation she attended Wright State University and danced with Dayton Ballet II. After spending two years in Ohio, Melissa joined Nashville Ballet as a trainee. Melissa joined Charleston Ballet Theatre where she danced soloist and principal roles for eight seasons. Ms Weber has performed many works by renowned choreographers such as George Balanchine, Twyla Tharp, Marius Petipa, Lew Christensen, Christopher Fleming, Dermot Burke, Karen Russo, Jon Rodriguez, Paul Vasterling, Choo San Goh, Dan Guin, Jonathan Tabbert and Jill Bahr. Some of her favorite roles include The Mistress in Lew Christensen’s Con Amore, Lead Gypsy girl in Don Quixote, The Matriarch in Jill Bahr’sRite of Spring, Helena (Jill Bahr) and Hippolyta (Brett Raphael) in A Midsummer Nights Dream, Lady Capulet in Bahr’s Romeo and Juliet, Arabian in The Nutcracker, and the Lead Girl in Guin’s Ella Sang. Since moving to the Connecticut/NYC area Melissa has performed with Ballet Neo, Arch Contemporary Ballet, Benjamin Briones Ballet and performed with Armada Dance in New York Fashion Week’s “Style Pointe” was a soloist with Connecticut Ballet CT Theatre Dance Company as a Principal Dancer. Melissa has been featured in Jordan Matter’s Book, Dancers After Dark, danced in Cal Kehoe’s music video “Marilyn”, an extra for OneRepublic’s video “Connection” and danced in the “Corpse de Ballet” episode of CBS’s Elementary. Currently Melissa is dancing with Dance Key West, Thomas/Ortiz Dance and Sarah Berges Dance. Melissa is thrilled to be a part of Dance Key West.

photo by Peter Yesley for Creative Performances’ 30-30-30 at Dixon Place